SLATE DIGITAL FREE NO ILOK SOFTWARE
So this was the “dreaded step” in everyone’s horror story, battling with the software companies to get your license back. This RMA number is what you must provide to the software companies in order for them to re-deposit the licenses on your new iLok. They responded back to me within an hour or two with an incident number, RMA number, and the last known licenses on my iLok. Go to and file an RMA report stating your iLok is lost.
SLATE DIGITAL FREE NO ILOK FREE
Same price, free shipping, and I received it within two days….which leads me to my next step: 2. I ordered mine from Sweetwater because it was backordered on Amazon.
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Well, the third generation holds more licenses, is more durable, half the size, and twice as fast. If you are sure your iLok is lost, the next logical step forward would be to go ahead and order one. Fortunately, my experience was great and I hope to provide for you the steps so that yours can be the same. Well, if that is you, I leaned in and did the work. Well, I recently moved into a new house and my iLok turned up lost.Ī quick internet search returned an overwhelmingly dismal response from those with the same fate. Sure, they are crucial in the event that your iLok is lost, but we never expect that to happen right….at least to justify the cost of this coverage. There are a few “insurance” options offered, but my experience is that your average Joe does not have these (Zero Downtime and Theft & Loss Coverage) due to the cost. For those who are not familiar, the iLok is a USB device that holds the licenses for your audio software. One thing I like about the licensing route is you can hear mixes down the road that you did with these different plugin suites, and make a more objective call on what to own outright.It’s every audio engineer’s nightmare, losing an iLok. McDSP compressors, saturators, and filters are top notch, but I'm holding out for 6060 Ultimate strip when the price drops, also his multiband where you mix and match the compressor modules was really good sounding. The rest were OK, and a couple were kind of useless to me, like the "Pusher" Two of his saturators are among my favorites, and UBK as a compressor has a lot of character. Kush to me is more about his personal taste in terms of sound. I ended up with ELI's Arouser, which is an absolute favorite of mine on drums. Besides Sknote's version of the distressor, it was the only other emulation out there. Slate was decent across the board, when I had it they released FG-stress. At least I got to work my way through what's good, and what's hype (for me). They all have their high points, and I'm glad I did them all. I've done slate, mcdsp, and kush under sub. I did the sub a couple years back, but I didn't want to get locked in for another year. Official r/WeAreTheMusicMakers Discord for music discussion: Official r/AudioProductionDeals Discord for plugin and sales discussion: Great music production subreddits to follow: More information on this can be found here Many of the links here are affiliate links which we make a commission on to help support the continuation of this subreddit. As such, please do not message asking for posting access if you are not a developer or an authorised dealer.
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This subreddit is dedicated to getting posting the best deals on audio plugins and hardware available as things go on sale.īecause of the nature of this subreddit, the rules will be strictly enforced.